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• Sony α7R III Full-Frame Camera Delivers High Resolution and Performance

• SpinVFX and Company 3 Use DaVinci Resolve to Keep George Foreman in the Ring

• Stéphane Azouze Brings the Colour of Women to Screens of the World

• Storytelling in Light and Shade for ‘The Tragedy of Macbeth’

• Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud

• Studios Use Cintel to Power Real-time Dailies & 4K Mastering

• Südwestrundfunk Renews Colour Correction Infrastructure on Baselight

• Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Technicolor PostWorks Breaks Sound and Vision for ‘Soundbreaking’

• Technicolor PostWorks Crafts Sound & Colour for ‘Maggie’s Plan’

• Technicolor PostWorks Grades & Finishes Oscar-Winning Documentary

• Tektronix Waveform Monitors Support HDR and WCG Formats

• Tenacity Accesses Post Content and Workflows via Blackmagic Cloud Store 80TB

• Territory Delivers Motion Graphics to the Big Screen with Red Giant

• The Embassy & Alter Ego Battle the Snowmen with FilmLight BLGs

• The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks

• The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

• The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound

• The LEGO Batman Movie Packs a Punch with FilmLight’s Baselight

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