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Sony α7R III Full-Frame Camera Delivers High Resolution and Performance
SpinVFX and Company 3 Use DaVinci Resolve to Keep George Foreman in the Ring
Stéphane Azouze Brings the Colour of Women to Screens of the World
Storytelling in Light and Shade for ‘The Tragedy of Macbeth’
Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud
Studios Use Cintel to Power Real-time Dailies & 4K Mastering
Südwestrundfunk Renews Colour Correction Infrastructure on Baselight
Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve
Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’
Technicolor PostWorks Breaks Sound and Vision for ‘Soundbreaking’
Technicolor PostWorks Crafts Sound & Colour for ‘Maggie’s Plan’
Technicolor PostWorks Grades & Finishes Oscar-Winning Documentary
Tektronix Waveform Monitors Support HDR and WCG Formats
Tenacity Accesses Post Content and Workflows via Blackmagic Cloud Store 80TB
Territory Delivers Motion Graphics to the Big Screen with Red Giant
The Embassy & Alter Ego Battle the Snowmen with FilmLight BLGs
The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks
The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’
The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound
The LEGO Batman Movie Packs a Punch with FilmLight’s Baselight
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