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• SIGGRAPH Asia 2023 – Looking Back at Sydney and Ahead to Tokyo

• Student Filmmakers’ VES Award-Winning Film Visualises a Life in the City

• SWR Selects Pixel Power Playout for Automation, Graphics and Live Integration

• Synamedia’s Cloud-based Senza Redefines TV Application Development

• Telkom Indonesia and Magna Systems Design and Build New SEA Today Channel

• The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

• The Mill and Kawasaki Wear Mullets to the Super Bowl

• Transforming Election Night Stories – Cloud, Remote Production, Graphics

• Twinmotion 25.1 Brings New Realism and Control to 3D Environment Renders

• V-Ray 7 for 3ds Max Supports 3D Gaussian Splats, Virtual Tours and Luminaires

• Viz Flowics Builds Agility, Speed and Collaboration for Amu TV’s Remote News

• Viz Libero 8.3 Automates Sports Video Cropping for Social Media

• Viz Mosart and Viz Flowics Extend Panasonic KAIROS Integration

• Viz Trio Go Combines Graphics Creation and Control for Broadcast

• Vizrt Appoints Thomas Nelson as Global VP of Key Customer Accounts

• Vizrt Develops Native NDI Bridge Multi-Channel Video Conversion Tool

• Vizrt Helps TVNZ Produce Top-Rating 3D and AR Graphics for 2023 Elections

• Vizrt PTZ3 PLUS Cameras Simplify Broadcast and ProAV Productions

• Vizrt Viz Mosart Automates Sky News Arabia’s Dynamic Newsroom

• Vizrt’s TriCaster Gains Two New Models, Opens Up on AWS Marketplace

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