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• Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour

• Discovering SMPTE’S METexpo 2024 from Control Room to Cloud

• disguise APIs Ease Custom Workflows and Integrations for Real-Time Production

• Disguise Invests in Leader’s LPX500 Waveform Monitor for SDI / IP Compliance

• disguise Porta 2.1 Updates Unreal Engine Graphics for Live Broadcast

• Disguise Porta 2.3 Controls Real-Time Unreal 5.4 Graphics for AR/XR Projects

• DIT Kevin Shiramizu Bridges the Worlds of On-Set Production and Post

• DMC Takes Grass Valley AMPP to the Track for Remote RallyX Production

• DNEG Creates a Bang When East Meets West in 'The Gorge'

• DNEG Goes from Dreams to Nightmares for ‘Slumberland’

• DNEG Launches New DNEG 360 Division with Partners Dimension Studio

• DNEG Meets the Monsters in ‘Godzilla x Kong: The New Empire’

• DNEG Steps into New Characters and Creatures for 'Venom: The Last Dance'

• DNEG Takes a Wild Ride on ‘Furiosa: A Mad Max Saga’

• dock10 and University of York Join on AI Research Project for Virtual Studios

• Douglas Delaney Joins Light Iron as Supervising Colourist

• DP Tim Hawkins Selects Sony BURANO for Versatility and Cinematic Looks

• DPG Media Moves up to Fast, Accurate AI Tools in RT Software’s Tactic Pro

• DPG Media Moves up to Fast, Accurate AI Tools in RT Software’s Tactic Pro

• Dr Raphael Kiesel Appointed New Head of Quality Management at ARRI

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