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• Dreamtek Deploys Blackmagic for Complex Live Production and Post Workflows

• DreamWorks Animation Releases MoonRay as Open Source Software

• DuckoChan Projekt Captures Natural Beauty with Blackmagic Camera Workflow

• Ease Live and ServusTV Upgrade the Viewing Experience for UEFA EURO 2024

• Eclipse OB Truck Rolls with VB440 IP Probe for Live 4K/HDR Production

• EditShare Opens the Way to Flexible Post Workflows at Azimuth

• EditShare Wiredrive Keeps Stories on Track at Offroad Films

• Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’

• Élodie Ichter Joins Light Iron as Senior Colourist

• EMG / Gravity Media Updates its Lens Stock with FUJINON Zooms

• Eurotape Media Upgrades R&S Clipster and Storage Network for Faster Mastering

• EVS Cloud-based MediaHub Centralises Athletics Content for EMG’s Rightsholders

• EVS Develops Strategic Technical Collaborations with Vizrt and Cinnafilm

• EVS Integrates LucidLink Filespaces for Real-Time Collaboration on Cloud Storage

• EVS LiveCeption and MediaInfra Upgrade TVN’s Outside Broadcast Capacity

• EVS MediaHub Joins Royal Belgian FA’s Content Team for Efficient Monetisation

• EVS Neuron Multiviewer Improves Flexibility and Latency for Live Production

• EVS TinkerList Investment, MOG Acquisition to Expand Live Production Portfolio

• EVS VIA MAP 1.0 Supports Live Content Lifecycle from Acquisition to Monetisation

• EVS XtraMotion 2.0 Speeds Turnaround Times, Extends Production Flexibility

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