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• Das Element 2.1 Adds Control and Convenience to VFX Asset Libraries

• DaVinci Resolve 20 Upgrades with AI-Driven Tools, Audio and Cloud Innovation

• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Studio and Blackmagic Cloud Solve 4K Picture Post at BSQUARED

• DaVinci Resolve Studio Takes an Editorial Role on Anime Feature ‘Look Back’

• DaVinci Resolve Studio Tames the Colour Grade for ‘Godzilla Minus One’

• DCS Develops LDT-V2 Wireless Lens Encoder/Streamer for Virtual Production

• Defining the Real Gotham City in Colour and Light for ‘The Penguin’

• Deidre McClelland Finishes and Grades Memoir of a Snail in DaVinci Resolve

• Dejero Brings Rugged In-car Connectivity to Austria’s Jännerrallye Road Race

• Dejero Connects Remote Sites for FIBA World Cup 2023 Qualifier Productions

• Dejero Connects Sports Venues across UAE for Gulf Youth Games Live Stream

• Dejero GateWay Opens New Opportunities for Live Event Production at Stream7

• Dejero Supports Remote Connectivity at Rugby European Championship 2023

• Dejero’s Satellite/Cellular Backhaul Network Delivers Queen’s Farewell

• Deltatre Adopts Imagine IP Network to Deliver Live Graphics for Lega Serie A

• DFT Scanity 4K Film Scanner Participates in Digitisation Initiative at Poland’s FINA

• Digital Domain Creates the Character Connection in ‘The Electric State’

• Digital Domain Relaunches Advertising Experiences Group With New Hires

• Digital Domain Visualises a Choctaw Origin Story for Marvel’s New Series ‘Echo’

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