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• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Helps Digitise and Accelerate Workflows at Bosnia and Herzegovina’s BHRT

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Cinegy Returns H.264 Interlace Encoding to NVIDIA GPUs

• Cinematographer Blake McClure ASC Shoots on Blackmagic URSA Cine 17K 65

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

• Cloud Playout – Conspiring to Limit Costs and Carbon Footprint

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Cloudbass IP OB Vehicles Support Live Remote Workflows on arkona and manifold

• Cobalt Digital Pushes Toward IPMX Adoption and Flexible Audio Monitoring

• Cobalt Digital Set to Exhibit a Full Line-up at ISE for the First Time

• Cobalt Digital UltraBlue IP-MV Multiviewer Turns the Focus on IP Operations

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Develops New AI Tools and Automation for Mastering and QC

• Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

• Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

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