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• Canon’s New EOS R Cameras Focus on Fast-paced Action and Accurate Tracking

• Canon’s New RF Hybrid Lenses for EOS R Expand Options for Video and Stills

• Canon’s Optical Unit for Box Lenses Delivers Broadcast Drama and Expression

• Capital One Arena Engages Fans with Dynamic FOR-A In-Stadium Video

• Carriageworks and Panasonic Display Projection Mapping at Sydney Festival

• Caton Live Stage Brings Culture Club Live to Cinemas and Venues Worldwide

• Central Control Bridges Magewell IP Workflow Devices with Live Control Software

• Chaos Project Arena Brings Real-time Ray Tracing to the Wild West

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

• Cinegy and Scale Logic Collaboration Manages Assets and Storage, Lowers Costs

• Cinegy Capture 24.1 Captures and Encodes Multiple SDI/IP Streams

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Helps Digitise and Accelerate Workflows at Bosnia and Herzegovina’s BHRT

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Cinegy Returns H.264 Interlace Encoding to NVIDIA GPUs

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

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