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• Student Filmmakers’ VES Award-Winning Film Visualises a Life in the City

• Summit E16/E13 AI Evo Laptops Are Ready for AI with NPU Power and Wi-Fi 7

• Supervising Colourist Peter Doyle Joins Picture Shop

• Support for Native Cloud-based Dante Audio Transmission Continues to Grow

• Survival, Disasters and Virtual Production on ‘No Way Up’

• Swank Motion Pictures Enlists Interra BATON for Automated Quality Control

• TAG and LiveU Partner to Ensure Live Video Quality for News and Sports

• TAG Develops Automatic Subtitle Language Detection and New Control Interface

• Taking a Practical Approach to Cloud-based Broadcast Production

• Taking the M&E Industry from Revolution to Evolution in 2024

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Telestream DIVA 9 Brings Intelligence to Managing and Archiving Media

• Telestream Introduces Software-Only Version of Lightspeed Live Capture

• Telkom Indonesia and Magna Systems Design and Build New SEA Today Channel

• The Imaginarium Studios Names Maeve Russell Head of Production

• The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows

• The Role of IP Video in Increasing Competitiveness for Broadcasters

• Time in Pixels and AJA Push Ahead with Video Analysis for Post

• Trans Am Series Puts Fans in the Driver’s Seat with LiveU 5G Video Transport

• Transforming Election Night Stories – Cloud, Remote Production, Graphics

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