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• Perifery’s ICE Searches and Manages Media Assets without Metadata

• Peter Barber Joins Atomos as Executive Director

• PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pixel Power and ITV Launch Dynamic, Automated New Channel Identity

• Pixotope Announces Major Hires in APAC Region

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Pixotope to Hold Virtual Production Networking Event in Singapore

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Colourist Mark Sanna to its Creative Team

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• Projective and LucidLink's Integration Enables Cloud Post-Production at Scale

• Putting Automated Workflows at the Centre of Agile Media Operations

• Quicklink Studio Connects 80 Countries During MTA’s Jalsa Salana UK Broadcast

• Qumulo Private Availability Launches its Cloud Native File System on AWS

• Qvest Integrates Avid MediaCentral at rt1.tv to Optimise Media Workflows

• Rapid Blue Works with EditShare for TV Post and Distribution

• Raúl Lavado on Dedicating a Career to Colour, Art and Technology

• RCN Colombia Deploys Zixi to Distribute Spanish-language Content to US Affiliates

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

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