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• DP, Colourist and Mikros Image Catch the Look for ‘Lupin’ in Baselight

• DPP and SMPTE Publish Major Updates to IMF Documentation

• DragonFly 2.0 Adapts to Remote and In-Studio Virtual Production

• Driving the Move to IP Broadcast

• DTC Broadcast Stays the Distance for Hankook 24Hr DUBAI Auto Race

• DTC Domo Makes Wireless UHD/HDR a Reality for Live Broadcast and More

• E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

• E! UK Oscars Party Streams Live with Blackmagic Web Presenter

• e.d. films Delivers a Legendary Bear with a Unity to Maya Pipeline

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• EA Competitive Gaming Catches Evertz DreamCatcher for Live Cloud Replay

• EA’s Game Capture Heroes Bring New Life to Game Art

• EditShare Academy is Now Open for Registration

• EditShare and Tourism Queensland Capture the Reef for scUber Campaign

• EditShare EFSv Proxy Editing Eases Cloud Production Challenges

• EditShare Helps MassArt Students Shift Filmmaking to the Cloud

• EditShare Plays to Win for Ubisoft Montréal's Live Capture Workflow

• EditShare Takes On Majority Investment for Online Video R&D

• EditShare Updates 3rd Party Integration and Remote Workflows in FLOW and EFS

• EditShare Upgrades EFS and FLOW for Media and Storage Management

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