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• Broadpeak’s Cloud DVR Revitalises QoE on MagentaTV for Deutsche Telekom

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Canon Develops New Firmware and Applications for 4K Remote PTZ Cameras

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos Plans its AI Future for Visualisation and Storytelling

• Chaos V-Ray 6 Benchmark Updates CPU/GPU Testing, Adds a New Test Scene

• Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Comprimato Live Transcoder Adds JPEG-XS for Broadcast Contribution

• Coralbay.tv Selects AJA BRIDGE NDI 3G to Support Hybrid Cloud Playout

• Cosmic Dino Studio Scales Up 3D Animation Resources for ‘Scarygirl’

• Creative Technology Adopts Imagine SNP Worldwide for Flexible IP Gateways

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• Dante Studio 2.0 Software Improves AV Network Interoperability and Monitoring

• DaVinci Resolve Studio Handles Complete Picture Finishing for BBC Series ‘Vigil'

• DaVinci Resolve Studio Tames the Colour Grade for ‘Godzilla Minus One’

• Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour

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