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• broadpeak.io Optimizes OTT Video Delivery and Monetisation at Comercio TV

• Broadpeak’s Cloud DVR Revitalises QoE on MagentaTV for Deutsche Telekom

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

• Canon Develops New Firmware and Applications for 4K Remote PTZ Cameras

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos Plans its AI Future for Visualisation and Storytelling

• Chaos Project Arena Brings Real-time Ray Tracing to the Wild West

• Chaos V-Ray 6 Benchmark Updates CPU/GPU Testing, Adds a New Test Scene

• Chunghwa Telecom Monetises Live Sports on Broadpeak’s Dynamic Ad Insertion

• Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Comprimato Live Transcoder Adds JPEG-XS for Broadcast Contribution

• Coralbay.tv Selects AJA BRIDGE NDI 3G to Support Hybrid Cloud Playout

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