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METexpo25
  • Broadpeak Controls Cost and Latency at TELUS for Video Streaming Services

  • Broadpeak EdgePeak Secures Caching and Edge Computing for Streaming at Scale

  • broadpeak.io Optimizes OTT Video Delivery and Monetisation at Comercio TV

  • Broadpeak’s Cloud DVR Revitalises QoE on MagentaTV for Deutsche Telekom

  • Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

  • Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

  • Canon Develops New Firmware and Applications for 4K Remote PTZ Cameras

  • Channel Four Works with Witbe to Automate QA Testing of Streaming App

  • Chaos Plans its AI Future for Visualisation and Storytelling

  • Chaos Project Arena Brings Real-time Ray Tracing to the Wild West

  • Chaos V-Ray 6 Benchmark Updates CPU/GPU Testing, Adds a New Test Scene

  • Chunghwa Telecom Monetises Live Sports on Broadpeak’s Dynamic Ad Insertion

  • Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

  • Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

  • Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

  • Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

  • Colour and Cinematography Push Time and Place on TV Series Eric

  • Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

  • Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

  • Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

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