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• Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

• BUCK Moves to Hammerspace Global Namespace for Collaboration at Scale

• Building on the Potential of IP and Cloud for Modern Broadcast Control

• CANAL+ and Blackmagic URSA Cine Immersive Bring MotoGP to Vision Pro

• Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos Brings V-Ray Lighting, FX and Materials to Blender for 3D Creation

• Chaos Plans its AI Future for Visualisation and Storytelling

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

• Cinegy and Scale Logic Collaboration Manages Assets and Storage, Lowers Costs

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

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