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• Blackmagic URSA Mini Pro 12K OLPF Preserves Colour and Detail in High Res Video

• Blue Lucy BLAM Manages Automated and Manual Tasks for Media Workflows

• Blue Lucy's BLAM Supports Agile Media Operations and Delivery at BBC Studios

• BlueBolt Delivers Authentic VFX for Period Drama ‘My Policeman’

• BlueBolt Recreates Historic Battles in Toulon and Paris for ‘Napoleon’

• BlueBolt Shines New Light on the Dark Tale of Nosferatu

• Bluefish444 Adds KRONOS K8 I/O Support for Adobe Creative Cloud

• Boris FX SynthEyes 2025 Updates 3D Tracking with AI/ML Efficiency and Speed

• Box to Box Works with MediaSilo to Manage and Review Works in Progress

• Brahma Aquires Metaphysic to Speed Development of AI-Native Product Suite

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

• Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos Plans its AI Future for Visualisation and Storytelling

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

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