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• Avid NEXIS Pushes up Speed and Scalability, Supports Pro Tools

• Avid Pro Tools 2019 Upgrades 4K Video Playback and Dolby Workflows

• Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

• BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World'

• Banijay Deploys Hybrid Blue Lucy MAM for Content Operations

• Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

• Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Beau Leon Makes the Grade at Framestore LA with Baselight

• Ben Allan Final Cut Pro X 10.4 Review

• Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

• Bending the Rules for ‘Tales from the Loop’

• Bethel Media Connects Video Production and Post Workflows on Facilis

• Big Brother - Gramercy Park Studios

• Black Box Optimises Emerald KVM Extenders for Precise HD Video

• Blackmagic ATEM Helps Live Stream MMOG & Pop Concert Experiences

• Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History

• Blackmagic DaVinci Resolve 16.2 Gets Updated to the Speed of Sound

• Blackmagic Design & Goldcrest Post Set the Pace on ‘Jason Bourne’

• Blackmagic Design Takes On Ultimatte and Fairlight

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