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• Blackmagic Cameras Go Storm Chasing in China for Documentary ‘Soul of Storm’

• Blackmagic Captures the Action and Look of Hiroshi Okuyama’s My Sunshine

• Blackmagic Cloud Collaborative Workflow Brings RKM Studios’ Vision to the Screen

• Blackmagic DaVinci Resolve 19 Updates Colour, VFX, Editorial, Sound Workflows

• Blackmagic Design ATEM Update Adds Visca PTZ Control and Audio Mapping

• Blackmagic Design Drops Prices for Blackmagic Cloud Store

• Blackmagic Keeps Dream Street’s Live Streaming Workflow Ahead of the Game

• Blackmagic Pocket 4K Camera Tells an Athlete’s Story in ‘Simone vs Herself’

• Blackmagic URSA Mini Pro 12K OLPF Preserves Colour and Detail in High Res Video

• Blue Lucy's BLAM Supports Agile Media Operations and Delivery at BBC Studios

• BlueBolt Delivers Authentic VFX for Period Drama ‘My Policeman’

• BlueBolt Recreates Historic Battles in Toulon and Paris for ‘Napoleon’

• Bluefish444 Adds KRONOS K8 I/O Support for Adobe Creative Cloud

• Box to Box Works with MediaSilo to Manage and Review Works in Progress

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

• Channel Four Works with Witbe to Automate QA Testing of Streaming App

• Chaos Plans its AI Future for Visualisation and Storytelling

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

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