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• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

• Cinegy Capture 24.1 Captures and Encodes Multiple SDI/IP Streams

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Helps Digitise and Accelerate Workflows at Bosnia and Herzegovina’s BHRT

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Cinegy Returns H.264 Interlace Encoding to NVIDIA GPUs

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

• Cloud Playout – Conspiring to Limit Costs and Carbon Footprint

• Cobalt Digital UltraBlue IP-MV Multiviewer Turns the Focus on IP Operations

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

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