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Blackmagic Design
  • Electric Sheep Secures Pre-Seed Funding to Develop AI-Based Rotoscoping

  • Engineering Emmy Winners Announced

  • Entertainment Technologists and NEP Virtual Studios Demystify Virtual Production

  • Epic Games and Ahead.io Build Open Source Windows Port for xSTUDIO

  • Eric Whipp Brings Three Thousand Years of Colour to George Miller’s New Film

  • Erika Burton Joins DNEG as Global Head of Studios

  • Expanding the Digital World – Ryan Mamba and Serwah Attafuah

  • EZtrack and Cooke Partner on Near Real Time Workflow for Productions

  • Faceware Enhances Speed, Accuracy, Prices for Mocap Users Everywhere

  • Faceware Studio Matches Animation to Live Performance in Real Time

  • Facial Capture Company Dimensional Imaging Captures Growth Investment

  • Falcon’s Reviews Dell Precision Workstation with AMD Radeon PRO GPU

  • Fast-Track Screen Careers at AFTRS Postgraduate Information Evening

  • Feature Films at AEAF Highlight Work from RSP, MPC, Iloura, Cutting Edge

  • FilmLight API

  • FilmLight at NAB: Control and Consistency in Finishing and Delivery

  • FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY

  • FilmLight Input Versioning

  • FilmLight Prelight Perfects Looks on Set for DoPs and DITs

  • FilmLight Puts Colour On Stage for Post Production Artists

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