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• Electric Sheep Secures Pre-Seed Funding to Develop AI-Based Rotoscoping

• Engineering Emmy Winners Announced

• Entertainment Technologists and NEP Virtual Studios Demystify Virtual Production

• Epic Games and Ahead.io Build Open Source Windows Port for xSTUDIO

• Eric Whipp Brings Three Thousand Years of Colour to George Miller’s New Film

• Erika Burton Joins DNEG as Global Head of Studios

• Expanding the Digital World – Ryan Mamba and Serwah Attafuah

• EZtrack and Cooke Partner on Near Real Time Workflow for Productions

• Faceware Enhances Speed, Accuracy, Prices for Mocap Users Everywhere

• Faceware Studio Matches Animation to Live Performance in Real Time

• Facial Capture Company Dimensional Imaging Captures Growth Investment

• Falcon’s Reviews Dell Precision Workstation with AMD Radeon PRO GPU

• Fast-Track Screen Careers at AFTRS Postgraduate Information Evening

• Feature Films at AEAF Highlight Work from RSP, MPC, Iloura, Cutting Edge

• FilmLight API

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY

• FilmLight Input Versioning

• FilmLight Prelight Perfects Looks on Set for DoPs and DITs

• FilmLight Puts Colour On Stage for Post Production Artists

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