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Blackmagic Design
  • NVIZ and Ncam Create Supernatural Previs for ‘The Irregulars'

  • NVIZ Delivers Previs, Techvis, Postvis for Marvel’s ‘Morbius’

  • NVIZ Welcomes Luke Kaile and Chris Lunney to Top Leadership Roles

  • Nvizible and Nvizage Join Talents as Nviz and Welcome New Artists

  • Object Storage – Managing Video Data for M&E Workflows

  • One of Us and Framestore Create Interplanetary VFX for The Midnight Sky

  • One of Us Creates a Crowning Glory for ‘The Crown’

  • One of Us Open Paris VFX Studio

  • OneRepublic Tour Comes to Life with Blackmagic Live Video

  • OpenColorIO Version 2 Updates ACES Transforms and GPU Renderer

  • Optim 1.2 Adds Real-Time, Interactive VR Collaboration to Unreal Engine

  • OptiTrack CinePuck Brings Accuracy to Real-time Virtual Production Workflows

  • OptiTrack Mocap Puts Characters and Animation at the Heart of VR

  • OptiTrack Motive 2.0 Tunes Object and Body Tracking for VR and Animation

  • OTOY Adds Redshift Support to the Render Network

  • Outpost VFX Reveals the Beauty within the Brain

  • Pacific Post Rolls Out In-House Remote Editorial Collaboration to Studios

  • Panasonic Projects Powerful Images at 20th Biennale of Sydney

  • Papertown Shoots Inside a Virtual Hangar Using Mo-Sys Onset VP Services

  • Park Road Post Team Brings Soldiers’ Lives to Life for a New Generation

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